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Topic “Shows & Concerts”

Lineup For Barbados Reggae Festival 2010 Announced

The event, now in its sixth year, continues to appeal to local, regional and international patrons of all ages and from all walks of life with the best Jamaican and Barbadians Reggae artistes available.

This year the Festival events have been increased from three to four with the introduction of a reggae party cruise and comprise the following:

The Digicel Reggae on the Beach is again being staged at the Carlisle Bay Centre, Bay Street, on Sunday, April 18 from 3 p.m. to 10 p.m. The performers include:

 Mr. Vegas
 Konshens
 Ding Dong
 Kirk Brown
 John Doe
 Peter Coppin

The Digicel Vintage Reggae Show and Dance returns to the Garfield Sobers Gymnasium on Friday, April 23 from 9 p.m. until 3 a.m. and features:

 Fab Five
 Marcia Griffiths
 John Holt
 Ernie Smith
 Ken Lazarus
 Biggie Irie
 Lil Rick
 Admiral Nelson

The Digicel Reggae Party Cruise is a new event on the Festival Calendar and is being held on board MV Harbour Master from 10 p.m. to 2 a.m. on Saturday, April 24. Fans will be able to meet and cruise with the stars appearing at Farley Hill the next day.

The Digicel Reggae on the Hill, the festival’s all-day climax is on Sunday, April 25th from 10 a.m. until 8 p.m. at the Farley Hill National Park in St. Lucy. This year’s line-up includes:

 Maxi Priest
 Tarrus Riley
 Richie Spice
 Luciano
 Busy Signal
 Etana
 Romane Virgo
 Buggy & Fully Loaded
 KDK
 Ayana John
 Hotta Flames
 Ras Al-I
 Daniel
 Albert Olton
 Brimstone
 Oracle

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Tony Matterhorn Live In Concert

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Friday, October 23, 2009 - 10:30pm

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The Ultimate Soul Weekend Review

The Ultimate Soul Weekend

By Finetwine

Soulful, classic and a blast from the past is what Timeless Entertainment brought when they hosted the “Ultimate Soul Weekend” during September 25-27, 2009 at the Sir Garfield Sobers Gymnasium.

The weekend which dazzled patrons with the islands talented vocals, Alison Hinds, Ayana John, Dwayne Husbands, Kellie Cadogan, Krosfyah, Rosemary Philips and Ria Borman and international greats such as Deborah Cox, En Vogue, Stephanie Mills, Jeffrey Osbourne, CeCe Winans, Peabo Bryson.

Unfortunately I could not attend all of the weekend, but what I can speak to is the Saturday night where, Dwayne Husbands opened the show and did so in fine fashion, with a selection of songs including songs by Ne-yo and his signature, John Legend, Dwayne also tantalized the crowd with his song, “simple mathematics” which is getting some rotation on our local airways. The night went on with a fine looking, 61 year old, Jeffrey Osbourne giving the patrons a ride on the soul train, to back in the day with some of his classic songs like “On the wings of love” and the “Woo-woo” Song, which led to an interactive session where persons were asked to woo, woo. Unfortunately for Mr. Osbourne, he didn’t realize that when he targeted Mr. Anderson Armstrong, to Woo Woo, he would be blown away by such a strong and in tune voice, standing on his chair and Woo Wooing his heart out, much to the crowd’s pleasure!

Stephanie Mills not to be out done, was “Ms Diva Extraordinaire” coming on stage in a Short green dress, sparkly red mic and mic stand, three handsome dudes singing back up and Miss Mills got down like it was “1962!” and when I say got down, I mean GOT DOWN, as she gyrated and Beyonce bopped, kudos, to her for a woman of age, she MOVED!!

Not to be left out, our local queen, Kellie Cadogan, gave a number of gospel selections that were touching and left goose bumps on your flesh. However, the highlight of the evening was Krosfyah, with lead singers, Edwin Yearwood and Khiomal Nurse, giving us the usual uptempo beats, but also a special treat of some love ballads that were dynamic to say the least! Edwin’s voice is well seasoned and hits every note as if it is stringing on a violin, Khiomal also has a voice that is out of this world!

The magical evening came to a close and at the end of the event, the only down side to it would be the tactless way VIP patrons were asked to pay for drinks after the complimentary ones in the opening reception, if a person is paying $200 for a ticket, one would expect that drinks are free flowing through out the night, after all, what are you paying for? Another thing that could be looked at next year, would be to monitor the amount of VIP tickets that are sold, so that seating reflects that, excess seating makes the room look empty and encourages the MC and the entertainers to invite ordinary patrons into the VIP section, this is not a fair practice, since a VIP patron may feel slighted that they spent X amount of dollars while the ordinary man spent less and will be treated to the same privileges as limited as they were.

On a happier note, I must say that the evening was very well put together and the word on the street is that next year will be just as vibrant! I for sure will be waiting with bated breathe for a musical joy ride, and if I could be presumptuous to suggest to Mr. Ronnie Morris, I would love to see Boyz II Men, Usher, Ne-yo, Joe, SWV, Escape and Lauryn Hill, to name a few, just in case you needed help in your selection love!

If you missed it this year, don’t next year, bigger and greater things are in store for the Ultimate Soul Weekend 2010!

By FineTwine

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Thoughts On The Sweet Soca & Party Monarch Competition 2009

The curtain has been drawn around the  2K9 Crop Over festivities, however the juks, stabs and wuk ups are still very remnant in the minds of party goers! The recently included Sweet Soca competition is still a hot topic also.  BoomTribe.com caught up with a few influential people in the music industry to get their input on the combination of two competitions as well as contestants participating in both competitions with the same song.   We also asked persons who attended their view on the overall packaging of the show. 

Andrew Payne, Director of Radio Services, ALT Entertainment had this to say about the venue change for the Party Monarch and Sweet Soca Competition:

“Based on what I have heard the change in venue is due to land slippage on the east coast, and IF this is entirely the reason then I guess then they had no choice but to look for another venue.  I have been going to the event from inception and won't be attending this year because of the new choice of venue. It will be an entirely new atmosphere which currently is not appealing  to me, however this may change in  a couple years. Changing to Farley Hill reduced the different markets which this event once appealed to and furthermore Farley Hill is way to small based on the 'potential' of the  event to be hosted.  If the east coast was no longer an option they should have moved it to the National stadium/Kensington Oval as a night event in a similar vain to Pic-O-De- Crop finals.”  Andrew went on to express his view on competitors competing in the two shows with the same song:  “The problem is that it appears to be two competitions happening at the same time with semi-conflicting agendas... Either they should have made it into two separate and distinct events, or worked together 'earlier' and change the party monarch into "Power Party Monarch" for the up-tempo party tracks,  and let the Sweet Soca Monarch be the mid-tempo ragga soca tracks.  I believe it will evolve into that in a few years, however it’s the first time around with different entities having separate agendas 'trying a ting'.. I would suggest that the Sweet Soca Monarch competition be first to warm up the crowd, and place those artists that have one song competing in both competitions be place at the tail end of the first group and proceed smoothly  into the Party Monarch competition. This may not be the only way to do it, but it will prevent artist from performing the same song twice and provide a better   flow and experience for the persons paying good money for tickets, because at the end of the day its about the fans of soca.. Events of this magnitude that represent our culture at a national level need to place more emphasis on the standard of the Product as oppose to who is profiting, because the profits will come once the Product is strong!” 

 

Phil Philips, Music Industry Pioneer shared similar sentiments, 

“The Venue change was a necessary consideration based on "reduced numbers" at Party Monarch particularly over the last 3 to 4 years. Of course the other option would have been to come up with something more creative and appealing to the younger members of the public.   Phil went on to say,   I am not a believer in the proliferation of soca competitions since they only reinforce the myth that the music is seasonal. More importantly, competitions often stifle the creative process since artistes just try to create something that they believe will meet and appeal to the judging criteria. We have to think in innovative and independent ways if we want to take this music to the globe. We no longer have the luxury of thinking that this music only belongs to West Indians. It has to be shared in a more strategic way with music lovers worldwide for our economic survival.    

Dian Thomas an annual party monarch and party attendee told BoomTribe.com, that she did not attend this year. 

“It lost its appeal, and the fact that VIP was so expensive, and premium drinks were to be purchased, that was really not my cup of tea.  Usually, when I go, I go with a group and we have a tent and the atmosphere is just so great, but with Farley Hill, it’s just too squeezed up, and the trees are obstructing a good view of the stage.” Dale Thomas another avid party goer who enjoys crop over to the fullest shared his opinion. “I had an okay time this year, not as good as previous years in my opinion.  I didn’t like the fact that people were in two separate competitions with the same song that defeats the purpose of claiming that “Sweet Soca” is different to the Party songs, because if you saying, that sweet soca is more tempo etc, then how can a song fit in both genres?” 

 Paula Palmer another Calypso lover also had similar sentiments: 

 I don't see the need for the sweet soca competition.  We already have the party monarch and if you gonna introduce a contest held on the same day at the same venue with the same people performing the same song it makes no sense.” 

What say you BoomTribers? Do you think it was a strategically pleasing move to Farley Hill, how feasible is it for a competitor to take place in two competitions on the same day, does it take away from the show, by having a “samey samey” effect or is it a chance for them to perfect themselves where they may have previously performed.  You as a patron, how do you feel about seeing entertainers singing the same song?  Get at us, we are eager to hear from you! 

By Samantha Hazlewood 

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